When we look at post-war Chinese films, we see the emergence of two types of films. On the one hand, in the film Crows and Sparrows (Wuya yu maqe 乌鸦与麻雀, 1949), we see the realistic portrayal of social reality along with an urgent sense of political intervention and a focus on the masses. On the other hand, in a film like Spring in a Small Town (Xiaocheng zhi chun 小城之春, 1948), we see a more lyrical portrayal of characters’ inner worlds and feelings. Describe these different cinematic modes by discussing these two films in a comparative framework. Focus closely on key themes, cinematic techniques, and messages each film conveys. Note: If you wish, you may critically compare and discuss other post-war films of this Second Golden Age of Chinese cinema in the late 1940’s. You may find and view more films here: https://chinesefilmclassics.org 1. Construct a clear, well-rounded thesis / argument. 2. Analyze and discuss TWO (2) films within the framework of your central thesis / argument. 3. Integrate and engage ideas in at least ONE (1) secondary source of relevant scholarship or theory. Be sure to accurately cite the author and title of the text(s) you are referring to. 4. Follow correct formatting guidelines (MLA or Chicago Manual of Style) for all references and bibliography (list of works cited)

When we look at post-war Chinese films, we see the emergence of two types of films. On the one hand, in the film Crows and Sparrows (Wuya yu maqe 乌鸦与麻雀, 1949), we see the realistic portrayal of social reality along with an urgent sense of political intervention and a focus on the masses. On the other hand, in a film like Spring in a
Small Town (Xiaocheng zhi chun 小城之春, 1948), we see a more lyrical portrayal of characters’ inner worlds and feelings. Describe these different cinematic modes by discussing these two films in a comparative framework. Focus closely on key themes, cinematic techniques, and messages each film conveys.
Note: If you wish, you may critically compare and discuss other post-war films of this Second Golden Age of Chinese cinema in the late 1940’s. You may find and view more films here: https://chinesefilmclassics.org
1. Construct a clear, well-rounded thesis / argument.
2. Analyze and discuss TWO (2) films within the framework of your central thesis / argument.
3. Integrate and engage ideas in at least ONE (1) secondary source of relevant scholarship or theory. Be sure to accurately cite the author and title of the text(s) you are referring to.
4. Follow correct formatting guidelines (MLA or Chicago Manual of Style) for all references and bibliography (list of works cited)

When we look at post-war Chinese films, we see the emergence of two types of films. On the one hand, in the film Crows and Sparrows (Wuya yu maqe 乌鸦与麻雀, 1949), we see the realistic portrayal of social reality along with an urgent sense of political intervention and a focus on the masses. On the other hand, in a film like Spring in a Small Town (Xiaocheng zhi chun 小城之春, 1948), we see a more lyrical portrayal of characters’ inner worlds and feelings. Describe these different cinematic modes by discussing these two films in a comparative framework. Focus closely on key themes, cinematic techniques, and messages each film conveys. Note: If you wish, you may critically compare and discuss other post-war films of this Second Golden Age of Chinese cinema in the late 1940’s. You may find and view more films here: https://chinesefilmclassics.org 1. Construct a clear, well-rounded thesis / argument. 2. Analyze and discuss TWO (2) films within the framework of your central thesis / argument. 3. Integrate and engage ideas in at least ONE (1) secondary source of relevant scholarship or theory. Be sure to accurately cite the author and title of the text(s) you are referring to. 4. Follow correct formatting guidelines (MLA or Chicago Manual of Style) for all references and bibliography (list of works cited)

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